Friday, May 31, 2013

The Art of Photojournalism

Musee d'Orsay black and white HDR Paris by Martin Soler

Photographer -  Martin Soler
Year Created - May 2011
Source - http://martinsoler.com/2011/05/08/musee-dorsay-black-and-white-hdr-paris/

Use of lines - The photographer used the lines to directly lead me to the focal point in 
the picture.  There are several things that could grab your attention, but the lines direct 
you to the statue.

Texture - The building in the background carries a great deal of texture with the bricks 
and ridges.  This adds an extra element to the image and helps the statue stand out with its 
smooth texture.

Is the image black & white or color? - The image was produced in black and white 
which helped capture certain elements within the photo.  Although I would love to see 
this image in color to distinguish how the use of lines would appear in its natural setting. 

I chose this photo because I have just begun my journey learning about the use of lines 
in photography, and I feel Mr. Soler did a great job capturing this technique within this 
image.

 
Photographer - Lynne Ayers
Year Created - August 2012

Use of Shadows - The shadows of the individuals were used to break up the pattern of the 
patio they were standing on.  By doing this is made the photo more engaging to me.

In or out of focus - Certain parts of the photo remained sharp (the patio and the railings) 
but the people in the image appear soft.  I believe the photographer did this to keep the focus 
on the dark to light contrast, while giving the viewers multiple places to appreciate.

Contrast - The photographer did an excellent job of dividing the photo into separate contrasts
throughout the photo.  The multiple use of contrast from the dark and light areas enhances the 
photo while your eyes travel throughout the picture.

I chose this photograph because I loved the patio design and how the shadows of the people 
broke up the design.  I felt like this was a picture you could look at for awhile and still find new 
characteristics and details within it.

Using Horizontal, Vertical and Diagonal Lines in Photography
Photographer - Alexander Pyatiletov
Year Created - April 2011

Rule of thirds - If you placed this photograph into thirds vertically you would see how the 
photographer slightly offset the woman from the center.

Contrast Appropriate - This is a high contrast photo with lots of bright and dark areas.  The 
darkness of the trees adds to the element of the infinite and lost feeling in the woods.  But the 
brightness and relaxed expression of the woman contradicts the darkness and lost feeling.

Subject's Expression - The woman appears to be relaxed in the depth of woods without 
shoes.  I feel her arms are overly posed for this shot, and gives you the impression she is 
doing it for the camera.   

I chose this photograph because the woman reminded me off my wife and her figure.  I 
enjoyed the element of the beautiful woman at peace deep within the forest.

Mother Theresa by Max Vadukul
Photographer - Max Vadukul
Year Created - 1997

Obvious main subject - Mother Teresa consumes about 4/5 of this image, and this
is a great shot.

KEEP IT SIMPLE - The photographer used the "fly on the wall approach" and let
Mother Teresa's face do the talking for the picture.

What feelings does the image create? - This image captured the very essence of who
Mother Teresa was.  Even in her old age I can see and feel the passion in her eyes.
Her skin looks tired and worn, but her determination is what I feel when I look at her face.

I chose this picture because I am inspired by people who live their lives with a purpose.
I feel like few people have, or ever will inspire people like Mother Teresa did.
She is a Godly icon and I love and appreciate that.



Tuesday, May 28, 2013

Pre-Digital Photographic Technology





Photographer – Christe Garvey


Somebody once told me “Think about it, from the death of Christ until 1900 AD, most people got around using horses as the primary mode of transportation.  Look at how far technology has brought us in 100 years.”  I don’t remember who said that to me, but I will never forget what they said.  It’s unbelievable to me how much technology has changed and the effect it has made on society. 

The picture above is from a recent trip I took to St. Thomas with my family.  In the picture is my oldest son Cayden (far left), me (middle), and an islander (far right) on a mission to give us an island memory.  My son had already been given the official island hat made out of shredded coconut tree leaves.  But this gentleman gave my son a fresh mango, and he was showing me the proper way to cut a fresh coconut.  Thanks to modern day technology my wife was able to take this picture in about 7 seconds; 3 seconds to get the phone from her purse – 3 seconds to open her camera application – 1 second to push the camera button and capture the moment.

After reading a story about Roger Fenton (possibly the first war photographer) and how much gear he had to carry around to get one image; it made me think of the trails and tribulations photojournalism must have gone through to get where we are today.  Then I watched a video on the wet plate collodion process that Mr. Fenton used and how much skill it required, and that instilled a great deal of respect for the photographers who paved the way to where we are today.

I then went on to research the history of photogravure, and it led me to appreciate the technology we have today even more.  A man by the name of Mark Katzman went into great length to thoroughly explain the entire procedure and its history.  He wrote an article titled “The History of Photogravure” and described its “ESSENTIAL ROLE in the origin and evolution of photography.”  He would go on to say “Its history is inextricably intertwined with the earliest discoveries and pursuits of the medium. While initial interest in photogravure was motivated by an effort to solve technical problems, over time photogravure was practiced for its own distinct merits.” 
 
Alfred Stieglitz
Photographer – Alfred Steiglitz
Source - http://www.photogravure.com/key_examples/keyworks_originals.html

 I don't know if I completely agree with the famous Weegee when he said "What I did, anybody could do."  After reading what the photographers had to do to develop a single picture using this method, I can’t help but feeling blessed for living in this current century.  Photogravure required a multi-step process of Preparing a Plate, Preparing the Image, Transferring the Image to the Plate, Etching the Plate, and Printing the Plate.  It’s unfathomable to compare and contrast what I went through to capture my image to what these photographers had to do to complete theirs.

I laughed to myself as I read a quote that Mark Katzman used from an extremely grateful publisher named Thomas Annan.  Thomas was thanking a man named Karl Klic who evolved the photogravure process and he was quoted saying "I beg to express my entire satisfaction with your gravure process... The process itself is very valuable to a fine art publisher because of the beauty of the work and the crafted manner in which the plates are executed. With many thanks to me and my son I remain, Dear Sir, yours very truly" March 11, 1883.  I can’t help but think how excited Mr. Annan would be if I showed him an Iphone.  Although Klic’s gravure process revolutionized the photography industry, and was widely used to illustrate high-quality books with photographs; I will still take my Iphone's 7 second system over yours Mr. Klic…  Sorry.





Saturday, May 25, 2013

Can Photographs Change the World?



There was a famous quote from photographer Eddie James stating “The most powerful weapon in the world has been, and can be a photograph.  Military weapons can only destroy.  Cameras, in the hands of photographers with hearts can capture Love-Hope-Passion-Change lives and make the world a better place…”  I couldn’t agree more and I strongly believe pictures have a way of captivating its audience like few things can.  In the picture it shows our world for the first time as a small a peaceful globe, with no surroundings.  This image was taken in 1968 and forever changed the way we view our world.  We have never seen this view and US Nature photographer Galen Rowell describes this image as "the most influential environmental photograph ever taken".  Kristen Erickson of NASA headquarters even suggests “"It changed humanity's entire orientation."This picture provides irrefutable evidence to support the case that pictures do indeed change the world.  





Photographer – William Anders


When I think of photographs that changed my life, I immediately think of the images posted from 9/11. Personally, I joined the US Coast Guard after the 9/11 attacks as an obligation to my country; and I know for a fact that these photographs changed me and the world.  After the events took place the country would never be the same again.  Laws were changed, procedures were altered, flight patterns were changed, etc...  But soon after the news stopped showing the videos of the planes crashing into the buildings, and the aftermath; all that was left was the photos.  Each individual photograph holds a place in each of our memory banks, and we all relive that day when we see those pictures.  Whenever I see the images of that day it reminds me of why I joined the service, and it instills a sense of justice and patriotism inside of me.  The lasting impact of those photos will remain with us all every time we see them, and we will be forever changed by them.


 


Photographer - Roberto Robanne


I recently watched a short clip of Jonathan Klein (Chief Executive Officer of Getty Images, Inc) and he mentioned how "Images have provoked reactions in people, and those reactions have caused change to happen."   I immediately thought of a funnier image that was actually a hoax, and the effect it had on the world.  The infamous picture of the “Loch Ness Monster” that Marmaduke Wetherell, his son Ian Wetherell, and model-maker Christian Spurling pulled off as one of the greatest pranks in world history through a single photograph.  Proving once again that photos can change the world as decades of speculation began, and a multi-million dollar tourism industry was created.  The fact that thousands of people around the world traveled in to try to catch a glimpse of “Ole Nessie” proves that photographs definitely have the power to change the world.

 


Photographer - Ian Wetherell
Source - http://www.neatorama.com/2007/01/02/13-photographs-that-changed-the-world/